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Townley Hadrian
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A bust of (), the second-century who rebuilt the Pantheon and constructed the Temple of Venus and Roma, was formerly displayed in Pope Sixtus V's Villa Montalto and is now displayed at the in London. The bust is one of the collected by (1737–1805) and sold by his heir Peregrine Edward Towneley at a reduced price to the British Museum in 1805. Unlike most busts of Hadrian and other emperors, it shows him in . The bust was found in Rome and is carved from Greek marble. Treasures of the World's Cultures exhibition information on the bust


Description and history
The Townley bust is comparable with a bronze head of Hadrian in the . The type is characterized by an elaborate of thick curls combed forwards. Both the marble bust and the bronze head have features similar to the marble Head of Constantine the Great () found on Stonegate, a street in above the ancient via praetoria thoroughfare of the at , garrison of the VI Victrix from Hadrian's reign. It is likely that the York and Louvre heads were images of Hadrian contemporary with the Townley bust, with the York example having been re-carved with the image of Constantine wearing a after the Battle of the Milvian Bridge.

The Townley bust, like other genuine statues of Hadrian, portrays his distinctively creased earlobes. It has been suggested from these that Hadrian suffered from, and eventually died from, coronary artery disease.

Charles Townley acquired the bust for £105 in March 1795 from Barwell Brown, the son of the and art dealer Lyde Browne, together with a veiled statue head of . He paid £168 for the pair, including transport from , in March the following year, as well as £8/6 (5%) interest on the delay. Townley annotated his copy of the work of Ennio Quirino Visconti listing the portraits of Hadrian, indicating that he was in possession of this example.

At the British Museum's exhibition on Hadrian: Empire and Conflict in 2008, the bust was included in one of two galleries of busts representing distinct phases in Hadrian's life, one earlier and dominated by the women of the Nerva–Trajan dynasty, the later without female portraits. In the exhibition the Townley bust appeared in the earlier group, arranged together with busts of Hadrian's , mother-in-law , and grandmother-in-law alongside busts of Marciana's brother, Hadrian's predecessor emperor () and his own wife . Trajan and Hadrian were provincial Romans from in on the Iberian Peninsula. The exhibition layout alluded to the rumour that Plotina had arranged Hadrian's rise to power.

The bust has since been displayed alongside a of , Hadrian's lover from , an arrangement commented on by in the 2020 documentary Museums in Quarantine. Unlike Hadrian, sculptures of Antinous are more often than not nude.


Exhibition history
Following is an overview of the work's exhibition history:

  • 11 April – 10 July 2005, Seoul Arts Center, Treasures of the World's Cultures
  • 25 July – 8 October 2005, , Treasures of the World's Cultures
  • 27 October 2005 – 31 January 2006, , Keimyung University, , Treasures of the World's Cultures
  • 18 March – 4 June 2006, , , Treasures of the World's Cultures
  • 3 February – 27 May 2007, Taipei, National Palace Museum, Treasures of the World's Cultures
  • 14 September – 2 December, Hong Kong Museum of Art, Treasures of the World's Cultures
  • July 24 – 26 August 2008, London, , 'Hadrian: Empire and Conflict'


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